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He joined a religious pilgrimage to the Basilica, where he repentantly walked on his knees with his head hooded, and died at the altar.The film's final scene returned to the one in the opening, in which Marcos was again receiving fellatio from Ana as he stood in front of her (now more explicitly filmed with a prosthetic penis, without a condom) - he said: "I love you so, Ana" - to which she replied: "I love you too, Marcos" - and the film cut to black before the end credits.In notorious director Uwe Boll's video game adaptation, a vampire sword-and-sorcery action film, Rayne was the title character in 18th century Eastern Europe -- a beautiful but vengeful half-human, half-vampire Dhampir (Kristanna Loken), whose patriarchal father was evil ruler Lord Kagan (Ben Kingsley).In the film's sex scene, she aggressively seduced Sebastian (Matthew Davis), one of three vampire hunters from the ancient Brimstone Society.She opened up her top, stripped down below, and grabbed iron cell-bars that Sebastian was backed up against - and let him lick her breasts and nipple and then proceeded to have sex with him, standing up - similar to the scene in The Last Seduction (1994).This was the first mainstream gay/bi-sexual romance film, heavily-promoted by the media, to receive multiple awards and critical/public acclaim.

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Those who were critical of the film were labeled "homophobic." Although widely hailed as a "breakthrough" film for gay cinema, neither of the film's two lead actors, nor its director, nor its screenwriters were gay, and the film was originally advertised in trailers without specifically referring to the film's 'gay' themes or scenes.

Mexican writer/director Carlos Reygadas' Palme D'Or-nominated film with non-professional actors told "about the mystical erotic pleasure of lost souls in the megalopolis of Mexico City." It caused controversy wherever shown, due to its two major scenes of sexual content - the act of fellatio - in the film's beginning and end dream sequences.

At the film's start, middle-aged, unattractive, inexpressive, overweight ("fatso") working class Mexican driver/bodyguard Marcos (Marcos Hernandez) was being given oral sex by his boss' daughter whom he had known since she was a child - she was named Ana (Anapola Mushkadiz) - a rich, sexy, 20s-something general's daughter with dread-locks and tattoos who worked part-time as a prostitute in a "boutique" (brothel).

He visited four possible mothers (all former girlfriends) - the first visit was to Laura Daniels/Miller (Sharon Stone), a self-employed, widowed "professional closet organizer." At her front door, he met her 'jailbait' nubile daughter named, unsurprisingly, Lolita (or Lo/Lola) (21 year-old Alexis Dziena): Then suddenly, when her pink sparkly cellphone rang, the young nymphet exhibitionist came out of her bedroom, and non-chalantly and seductively walked into the living room fully naked (without her pink robe) in front of deadpan-faced and unamused Don.

She was talking on the home phone and also picking up on her cellphone, deliberately flaunting herself and flirting with him.

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